Sarah Broadley

In my time on this planet so far, I’ve never lived outside Scotland’s capital city. Even now, many years after I’ve left my childhood home, I haven’t strayed farther than a few miles away from my old primary school and gang-hut days. I still walk the streets where I got scabby knees from learning to ride my first ever (borrowed from a neighbour) bike and my very own new-to-me roller skates (Apollo 13s – best birthday ever). Despite my reluctance to set down roots elsewhere in the world, it hasn’t stopped me travelling and meeting people from different cultures and

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When you write a new story, you create the characters as if you’re meeting them for the first time. You get to decide everything about them, from the colour of their hair to what they have for breakfast. As a writer or illustrator you get the envious task of being able to create a new being, in a new world. The opportunities to capture a personality trait in the sentences written or an emotive glance in the illustrations, are marvellously endless. Without a conceived idea or the drawings to bring those thoughts to life, I believe stories wouldn’t exist. Text

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Like many others my writing life has changed. Working from home, bereft of the company of other writers unless they’re staring back at me from my screen, I miss the coffee breaks in-between writing sprints and the gluing of character arcs and plot points after seeking advice from those in the same boat. I know we’ll get back together eventually, so I shall persevere but it’s not quite the same. I have many ‘how to’ guides about writing and the creative process . Using their guidance (I have my favourites) I regularly tap out words on my keyboard in the

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